Incredible Women Talk

Des nouvelles de Daisy ! Elle n’est finalement pas venue au Sundance Festival pour cause de re-shoots de Chaos Walking mais la voilà le 30 janvier à l’événement “Incredible Women Talk” organisé par le magazine Porter avec la Dr. Jane Goodall. Daisy est blonde ! J’aime beaucoup sur elle. Découvrez 9 photos dans la galerie.

News from Daisy ! She eventually didn’t attend the Sundance Festival because of reshoots for Chaos Walking but there she is, on january 30 at the Incredible Women Talk by Porter magazine with Dr. Jane Goodall. Daisy is blonde ! I love it on her. 9 pictures in the gallery.


Oscars Nominations for The Last Jedi

L’annonce des nominations aux Oscars est tombée mardi et Star Wars : The Last Jedi est nominé dans 4 catégories !

  • Meilleur montage (son)
  • Meilleur mixage (son)
  • Meilleure musique
  • Meilleurs effets visuels

La cérémonie aura lieu le 04 mars prochain, félicitations !

Oscars’ nominations came up on tuesday and Star Wars : The Last Jedi is nominated in 4 categories !

  • Sound editing
  • Sound mixing
  • Original score
  • Visual effects

The ceremony will be on March 04, congratulations !


Peter Rabbit & Empire Film Awards

Quelques nouvelles de Daisy ! Premièrement, le film Star Wars obtient 9 nominations aux Empire Film Awards 2018, dont “meilleure actrice” pour Daisy ! Pour voter, rendez-vous ici. Ensuite, découvrez une vidéo promotionnelle présentant son personnage dans Pierre Lapin.

We’ve got some news from Daisy ! First, the Star Wars movie gets 9 nominations at the Empire Film Awards 2018, including “best actress” for Daisy ! Vote here. In other news, check out a promotional video of Daisy’s character in Peter Rabbit.





New still for Ophelia

William Shakespeare sure loved a doomed heroine. Some of the Bard’s most famous women — Juliet, Desdemona, Lady Macbeth — all met with a grisly fate, but few are as iconic as Hamlet’s Ophelia, who goes mad with heartbreak and drowns herself in a river. While Hamlet’s insanity and demise have been explored countless times since the play’s publication in 1603, much of Ophelia’s story happens off stage. Claire McCarthy’s new film Ophelia, led by Star Wars’ Daisy Ridley, aims to change that — and reimagine the character as a bold, complicated young heroine.

It’s a radical reinvention for a woman who’s most frequently portrayed in art and literature as a docile, waif-like beauty, driven mad by love and passively accepting her watery death.

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